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Jeremiah Daws.
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Producer · Director · Editor · Atlanta

Jeremiah Daws

I produce, direct and edit films.

Producer / Director at FORM, an Atlanta story company, where I direct the animated comedy Calendar Jockeys. Before that, six years producing and editing marketing video for Disney. Before Disney, freelance editing for National Geographic and Hallmark. Along the way, indie features with my brother, and lately short films made with AI.

See the workGet in touch

Brand and broadcast work for

  • FORM
  • Disney
  • Marvel
  • Lucasfilm
  • ABC
  • Freeform
  • National Geographic
  • Hallmark

Selected work

Brand, broadcast and indie work.

Full archive

At FORM

Producer / Director at FORM.

FORM is an Atlanta story company making brand films, series and podcasts. This is work I directed there. For a brand film, spot or series, reach out to FORM.

Calendar JockeysMade at FORM

Animated comedy series · Director

Calendar Jockeys

Gus and Wendell co-founded a production agency, and they'd make great things all the time if the meetings ever stopped.

calendarjockeys.com
DownwindMade at FORM

Spec commercial · Concept & director

Downwind

A boy comes home from school. Mom knows it's time to freshen up. A 30-second after-school comedy for a fictional body spray.

Watch on YouTube
Teeth Brushed?Made at FORM

Brand-style test

Teeth Brushed?

A dad, his daughter, and a very familiar bedtime question. FORM's first exploration of Absurd.

Watch on YouTube
Made at FORM

Previz to picture · Test

Blocked first, then generated to match.

A 30-second test made at FORM: a kid sky-surfing behind a seaplane, a girl in a submarine racing a sailfish. Every shot was blocked in a rough previz in Blender first, shown in the corner, so the camera, staging and timing were decided before anything was generated.

AI films

Four short films, made with AI.

Every shot generated, then voiced, cut and graded like any other film. Click a title to play it here.

Sci-fi short · Part one of a series2026 · TRT 03:18

NEON RONIN: Part One

A samurai of light and a tiny porcelain machine begin the climb toward the Jade Overlord. Part one of a series.

Made with

  • Seedance 2.5
  • GPT Image
  • DaVinci Resolve
Watch on YouTube

Now showing NEON RONIN: Part One

How I make them

Keeping a character the same from shot to shot.

Four shots of Joey from What Are You Supposed To Be?: the same boy, the same striped shirt and the same paper bag, from the living room to the street at night, each a separate generation in Seedance 2.5. The hard part of an AI film is the same as any film: keeping the story and the character intact from the first shot to the last.

  • Joey, seven, holds the paper bag he means to wear
  • Joey on the front porch at dusk
  • Joey in his paper-bag mask, trick-or-treating alone
  • Joey, still masked, back on a porch late at night

  1. 01

    Story before shots

    Nothing generates until the story holds up. I write the ending first, then test the beat sheet: where it turns, how long each beat gets, what the first image has to set up.

  2. 02

    A look that holds

    Characters, wardrobe and locations are designed and approved as references before any shot, so the same kid, the same bag and the same street come back shot after shot.

  3. 03

    Shots that generate

    Every shot serves a beat and fits its length. Every take is logged with the prompt and references that made it, so any shot can be made again.

  4. 04

    Finished like a film

    Voices and sound in ElevenLabs, then cut and graded in DaVinci Resolve, where every clip traces back to the take that made it.

Jeremiah Daws

Background

Where I’ve worked.

From cutting network reality TV to directing campaigns for Disney Channel, and now running productions at FORM.

All film work AI builds

  • FORM

    Producer / Director · Calendar Jockeys

    2026–

  • Disney Parks & Disney Consumer Products

    Marketing video producer / editor · Marvel, Lucasfilm, ABC, Freeform, Target

    2015–2021

  • Freelance editor

    Building Wild (National Geographic) · Our Wild Hearts (Hallmark) · Starting Strong (Ricky Schroder Productions)

    2010–2015

  • Daws Brothers

    Indie features and shorts with my brother · Dangerous Calling, Missing in the Mansion

    Ongoing

Contact

Get in touch.

Want to talk shop, AI, or something else entirely? Drop me a line. Outside FORM, I’m open to the occasional AI project.

Need a brand film, spot or series? That’s FORM’s work, where I’m Producer / Director. Reach the team at FORM.

AI builds